Photos by Genevieve Andrews @notgenevieveandrews  Article by Caroline D’Arcy Gorman @covenking  Creative Direction by Caroline D’Arcy Gorman @covenking  and Satchel Lee @satchellee  Wardrobe: Samantha Burkhart @samanthaburkhartstylist  Makeup: Amber Dreadon @amberdmakeup  Hair: Joseph Chase @josephchase

Photos by Genevieve Andrews @notgenevieveandrews

Article by Caroline D’Arcy Gorman @covenking

Creative Direction by Caroline D’Arcy Gorman @covenking

and Satchel Lee @satchellee

Wardrobe: Samantha Burkhart @samanthaburkhartstylist

Makeup: Amber Dreadon @amberdmakeup

Hair: Joseph Chase @josephchase

 
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A sign of our modern age is an insistence on complexity and contradiction. None of us are any one thing. Billie Eilish, with her raw, rough teen angst imbued with measured emotion, represents a particular duality. She rocks a loose fitted tee and a pair of Nikes that read, “suck my dick,” while also reminding her fans, “not to suffocate [their] loved ones.” She has dropped a single that demands we see her in a crown one day, while late the night before she played the piano in an empty dark room, reminding us that “pain doesn’t go away [we] just get used to it.” Queens like Billie are unconfined by simple vocabulary, unable to be put down by a simple label, comment, or review. And that’s why she can make an audience of thousands jump along, raging in unison to an unforgiving bass. Billie’s vulnerability comes across her music and its dynamic sound, with soft dulcet tones paired with an eye-rolling, middle-fingering “FUCK YOU” irreverence.The subversive romanticism she captures and allows to co-exist with a biting spirit of raw, unabashed youth make Billie Eilish’s unique style a captivating one. The soft vocals that melt over synths in “Ocean Eyes” pose a contrast that only our complex moment could allow. The duality of gentle yet unapologetic makes her a true symbol of the now, and it only leaves us wanting more.

 
idk i feel like if i wasnt me
and i slapped me i’d kinda be
turned on idk.
— @wherearetheavocados
 
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