A Case for Costume
 

By MI Leggett

Photo by Jasper Soloff

 

MI Leggett’s label Official Rebrand debuted at DRØME’S New York Fashion Week show and will premiere their fall fashion film EAT with I’m Screaming at midnight this Halloween. Official Rebrand’s next collection, which will debut at Art Basel Miami, combines themes of fluidity and sustainability.

 

I have always loved wearing costumes. At age three I exclusively wore Disney princess pajamas. Once I started reading, I donned round glasses and a Hogwarts robe. As I grew older and more receptive to society’s expectations for me, costumes dwindled from my daily dress. However I always looked forward to Halloween, when I could bask in the freedom to be someone totally different, a version of myself that was not constrained by social conditioning. I felt so stifled by the monotonous mandate of my catholic school's uniform, and there were so many things I wanted to be, that by the time Halloween arrived I would change costumes halfway through the day. All year I looked forward to dressing outside of the social norms around which I was learning to contextualize myself. Now, as a genderfluid artist and fashion designer, I recognize more completely the importance of that freedom.

Unofficial uniforms can be more subtle yet just as restrictive as formal ones. When I switched schools, I was overjoyed by my newfound freedom and wore such outlandish outfits to school that I was socially rejected. I felt constrained and limited to wearing clothes deemed appropriate for me by social norms, not by my own personal creative desire and taste. Adherence to appropriate trends was encouraged—experimentation was not.

Dressing against societal norms is not always practical or safe, but for many people such expression is essential. Someone who feels divergent from the expectations society places on them on the basis of gender may not feel comfortable dressing in accordance with dominant cisgender, heterosexual norms. As queer theorist Judith Butler stated in a 2015 lecture, “life is more livable when we are not confined to categories that do not work for us, or categories that are imposed on us and take away our freedom.”

Still, in many contexts it is dangerous to resist such categories. Perceived deviation from social norms of self expression is often met with violence. People deserve the freedom to decide for themselves what feels right, uninhibited by societal dictations. Halloween reduces those limits and provides the option for people to be whoever or whatever they want. There is an expectation to dress up, to transform yourself, to try on being someone or something else. Although this might be daunting for some, for others this occasion provides a rare opportunity.

As long as your costume does not offend, appropriate, or insult, the experimental freedom of Halloween can be a powerful tools of self discovery. For queers or anyone else who may not identify with inborn appearance, costumes can be more than just fun—they can be an important way to express and extend ourselves. Without the freedom to try new things, it is difficult to discover what is most comfortable. How can I know what I like until I try it? Just as no one should try to control my body, no one should control what I put on my body.

For me, figuring out how I want to present myself is an endless process. Freedom to experiment with my personal presentation has been vital for me coming into my own gender queerness. I consider my identity to be fluid. I try new things, I change. Although my love for dressing up has remained, it manifests differently all the time. Last Halloween I was cigarettes; this year narcissism. Through my costume, I become these social phenomenon and better understand myself in relationship to them. Somedays I like to dress in a way that helps me imagine the boyhood I never had.

I feel more connected to my felt self than my physical self. Clothing, be it an outfit or a costume, is a multifaceted tool. I use it to understand myself better, become closer to my felt self, and express my fluid interior identity. I can use clothes as a way to shape how I am perceived, eclipsing aspects of my physical self, namely my DFAB (designated female at birth) body. I love Halloween and the opportunity it provides for self-discovery. Experimenting through style should be an option for everyone, no matter the date.

 

 

 

 

In the making of DRØME we hope to showcase a community of doers and nourish an attitude of empathy in a world that teaches us to pass judgment rather than practice kindness. The stories, images, and people shared in this magazine are an amalgamation of perspectives often overlooked or explicitly excluded from art and media worlds. The dearth of diverse identities and viewpoints within the arts is harrowing, especially for a young generation that is fighting its hardest to overcome conservative notions of order ultimately practiced as acts of discrimination against the very people and things we find most inspiring. In DRØME, the featured creators and creations encourage us to never shy away from who we are and what we want. Each artist, in sharing their story, embodies their own definition of agency. Against a mainstream ideology that indoctrinates patriarchal, capitalist, and hateful theories turned into policy, the artists in our first issue represent the ways in which art can take power back from society's denigrating control.